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Every few years, separate projects accidentally align in Hollywood in what is known in the industry as "twinning." Recent examples include 2022's pair of Pinocchio films, one from Disney and one from Netflix, and 2023's two TV series about Alexander Litvinenko, one with Benedict
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“I met this six-year-old child with this blank, pale, emotionless face and the blackest eyes – the Devil’s eyes.” Replace “child” with “penguin with a rubber glove on his head,” and this description of Halloween villain Michael Myers would easily apply to Feathers McGraw – a diminutive penguin whose
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The American Sundance Film Festival is young compared to other "Big Five" International Film Festivals, aka the events where production studios debut their best bets for awards love. The original Big Three, the Venice Film Festival in Italy, The Cannes Film Festival in France, and The Berlin International
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Most films on housing insecurity, poverty, and homelessness follow the same playbook. People in bad situations make poor life choices and end up on the street; their inner strength and burning will to live help propel them through hardship until they pull themselves up and find their way back to
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Guy Ritchie's attempt to resuscitate his would-be British Upperclass Gangster Film Franchise, The Gentlemen, has gone far better than anyone could have imagined. The original film (with the same name) debuted at the end of 2019 in the U.K.; there were high hopes for it to
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Luca Guadagnino isn't Spielberg-level famous, but cinephiles know the Call Me By Your Name director and his melancholic pathos. Guadagnino shook things up in 2024 with Challengers, ditching his signature fuzzy European landscapes for sharp volleys on a tennis court, splitting his fan base into two camps
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The Golden Globe nominations for the calendar year 2024 are out, and several upcoming arrivals, including The Brutalist, have already received multiple nominations. The film arrives in the U.S. in time for Christmas Week. However, it has already garnered stellar reviews from its Venice International Film Festival debut, taking
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Uberto Pasolini’s The Return isn’t just built off the closing stages of Homer’s Odyssey – featuring a guilt-ridden, lonely Odysseus (Ralph Fiennes) tentatively and reluctantly returning to the frayed, fragile kingdom overseen by his queen Penelope (Juliette Binoche) – it builds on an appealing interpretation of its final
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The Beatles broke up over half a century ago, but the world's first significant boy band out of the U.K. still attracts viewership. Get Back, Let It Be, and the new Beatles '64 are all official hits on Disney+ (one of the streaming service's
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Mike Leigh is probably the single greatest benefactor to Britain’s film history in the last fifty years, and yet the average British film fan may have only heard of a handful of his films. His background in Britain’s theater and teleplay scene in the 70s was predated by
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Daniel Craig initially rose to prominence as Joe Pitt in the 1993 National Theater production of Tony Kushner's Angels in America, the most seminal theatrical work of the last fifty years. While his career has gone in other directions since, including a 15-year stint playing the lead
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The winds of change have reached a remote coastal village, and, in the space of a week, all signs of life will be swallowed whole by the pressing urges of modernity. It’s a place too insignificant for the film Harvest to disclose where or when it is; the audience